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However, Sony is making no claims about improvements in terms either of rolling shutter or of recording longevity. With the most recent firmware, the a can often record 4K video for the full duration that the camera allows but this is not always possible in warm conditions or if you've just shot a long clip. Sony only claims 'about 20 minutes' of 4K recording for both cameras.
Despite being positioned significantly further up the market, the a uses the same form factor and dial arrangement as both the mid-range a and the entry-level a Although all three cameras have two control dials, they are arranged so that both must be controlled using the thumb and, for many people, requiring the hand to be repositioned when switching from one to the other.
The other similarity with the that seems even more odd at this level is Sony's decision to only offer lossy compressed Raw, limiting their processing latitude. This table compares how the a compares with Fujifilm's fairly similarly-priced X-T2 probably the most capable rival in terms of stills and video shooting.
I got an a 17 months ago. It has had moderate use, and overall I have learned to trust and enjoy it. This was third of four Sonys I've bought, but I've been a photojournalist since age 14, , and have used more cameras than I can remember. But there is one serious shortcoming on this a; the markings on the mode dial have almost worn off.
The crucial M-S-A-P are unreadable. This has never happened on any other camera I've used, did not happen on the similar a There has been no rational reason for the wear, the area around it on the camera is pristine.
I called Sony customer service about this and they declined any sort of action. They actually said it was only cosmetic damage And to the Mr. Forum Q. Snides out there, no, there was no obvious reason for this malady. It's unbelievable that Sony still uses such a small screen instead of using a larger 3" screen. What's so "impressive" about this? And frame rates drop to a measly 3fps if you mount, say, a Sigma E-mount lens? Are you kidding me?
I've never heard of such an absurd and arbitrary limitation with any other ILC. I must say the degree view is amazingly useful! May you kindly let me know which plugin it is? I run a small watch ecommerce store and this would be a wonderful addition for the readers. If A had at least front and back comman dials like all Fuji, Panasonic, Olympus have, I would buy it and forget about Fuji.
It's a shame - top Sony APS-C has poorest camera control and does not offer direct access to many important features, incuding shutter speed and aperture, the base in photography. So it's exellent toy, but not exellent photography tool. Do you own one or are you just making this up?
I own one and disagree with everything you say. Not a toy, but a superb tool in the hands of an experienced photographer. Then, all the semi and pro cameras like D, EOS 6D not including retro dials for speed and aperture are only toys for you?
The Canon 1DxII has only one top plate control dial and it costs 6 grand. The Sony system is identical to Canon - one wheel on top and a thumbwheel at the back and yet Sony gets a sledging and I have never heard Canon criticised once in all the years they've been doing it.
An example of some of the irrational thinking that underpins this review. The style is reminiscent of the A7II test, where the archetype that the camera was being judged against shifted depending on the feature being assessed.
The reviewer knows he's being unfair, because he writes: 'Of course both the cameras mentioned use smaller sensors, which in theory should be easier to move around. And this sentence should never appear in a review: 'But for the rest of us, picking up a Sony for the first time can feel confusing, frustrating and uninspiring.
I've never felt that way about Sony, only about cameras from other brands. Perhaps tone down the special pleading? There's nothing uniquely frustrating or uninspiring about Sony cameras - in fact the A clearly offers photographic opportunities missing from lower specced bodies. You just sound biased. Yes some of the anti-Sony rhetoric by DPR reviews is tiring. Sony products, it seems, MUST exceed all other models in all categories in order for it to be considered good.
The Canon system is not the same as Sony's. The key distinction being that both of the a's dials have to be controlled with the same digit. We'd criticise it on any brand, especially at this price. The reviewer doesn't 'know he's being unfair,' he's acknowledging that it would be harder for Sony to achieve, to give context to the criticism.
It's entirely reasonable to compare a camera to the best performance available in its peers: if you need IS, we should point out that you get better results from a Micro Four Thirds camera, if you want direct access ergonomics, you will find it in most rivals not just DSLRs at this price.
Given how often I read comments convinced we're being paid-off by Sony, it's entertaining to be accused of anti-Sony rhetoric. We're a review site, we test and use cameras and tell people what we find. If the criticism isn't relevant to you, discount it, but don't expect us to ignore what we believe to be shortcomings. Thanks for that Richard, now if you would just point me to the section in the review of my X-T2 that you criticise its lack of in body IS or its effectiveness and for the D?
That would be great because I can't seem to see it? Also would you mind pointing me to the section in the D review where you don't just gloss over the massive size and weight of the D and how it makes you far less likely to carry the camera with you regularly and is disappointing compared to its peers and makes one 'uninsipired' to shoot it?
That would be really great! While we are at it could I have the sections on where my X-T2 is 'fiddly' and 'uninspiring' due to its confusing use of dual partially redundant control points? Lastly I hope you are working on a review of the Leica M10 at the moment as I will definitely be looking to upgrade my Leica at some point, can you please make sure you point out how ineffective the IBIS is compared to the E-M1 II, how slow the autofocus is compared to the D and D5, how terrible the video is compared to the GH5 and how small the lens selection is compared to the 1DX II.
As for Canon not being the same, you still have to take your thumb from its resting position, significantly readjust your grip, and move it down to adjust the rear dial.
Does it make much difference that the thumbs rearming position is on a dial to begin with? Do you regularly adjust both dials at exactly the same time, simultaneously adjusting aperture and shutter speed? Or is it more that moving your thumb away from and altering your grip its resting position to adjust a setting that makes it less ideal? Are you aware that you can customise it to 'press and turn' rather than use the dial? This is not something you can do on a Canon because you can't comfortably press the top plate buttons with your index finger and control the front dial with the same finger.
So you are forced to use the rear dial. Richard Having stated many times that the site under you and your colleagues is better than it's ever been and that I would even pay for access to it, I don't think we need to go down the 'paid off by manufacturers' route. I am not accusing anyone of being anti-Sony or even of conscious bias. The A review is actually very good and is consistent and seems fair - apart from the points I raised.
You do make the distinction that the two dials need to be controlled with the same digit - and that does make it less usable, true, but there is more to say about the absence of the front dial.
Every other model has had one. The reason is that the series grew iteratively out of a much simpler and smaller camera - the NEX5. You're smart guys, what's the point of talking about the handling and the price as if this camera just dropped out of the sky when in fact it is an evolution of a much humbler model? Adding a thumbwheel to the design is probably impossible - even for Sony - without essentially junking the mould and starting again.
Sure they could do that, but then you wouldn't have had the NEX6. Had the A been conceived as an individual standalone product and not grown like the branch of a tree it would have a body like the A7 series - a design that Canon copied almost exactly with it's late-to-the-party M5. Now, I don't mean that you should cut Sony slack on any handling deficiencies because of this, but just consider how Sony is filling-in the map as they go and that most of their competitors haven't even left the docks.
Sony created an entirely new kind of camera when the made the NEX5 - which wasn't very good, but essentially gave birth to the FF mirrorless cameras we have now. Talking about the A's handling as if it was a Nikon D or 80D seems slightly ignorant to me.
These cameras are literally rubber stamped from an archetype designed thirty years ago. You can't, really. Sadly it was destined to fall on the deafest ears in photography. But there isn't a FF Canon mirrorless, and there isn't likely to be one in the near future either.
In a very real way you can't compare the A to a m43 or DSLR - certainly not a composite camera, which you can't actually buy - which is what the review does. You do it in your comment as well, when you say; 'If you need IS Everyone 'needs' IS, but it is not going to be the sole driver of which system you choose. I realise that this is essentially a foil for you to write the review, but it has the unfortunate effect of coming down extra harshly on an innovative camera like the A This I believe is what CCD above is alluding to in his comment that Sony is required to exceed the achievements of other manufacturers.
It first appeared in a DSLR in Criticising the A's IBIS - still the only IBIS in an aps-c mirrorless one year after its introduction - for not being as good as that of M43 seems simply unfair, when no-one else is criticised for not having it. It's hard not to shake the sense that if Nikon had it and not Sony, it's absence on other brands would be mentioned in every review.
For many of us this was the narrative - the chance to get stabilised images from some of the legacy lenses that we had as well as lenses from other brands. It made the camera seem particularly desirable. Instead the review was haunted by the D, with which it was compared and found wanting in terms of it's sensor. Of course the Nikon was not slated for not having IBIS or the ability to use lenses from other brands. Again the comparison was presented as valid as many possible A7II users would also be considering the D I simply don't accept that.
Rishi once remarked that perhaps that review needed 'another look. It is not the partiality that offends me, just the inaccuracy. You realise that Sony users don't feel this?
For sure, Canon cripples their cameras, as does Nikon to a lesser degree, but it is obvious why in those cases. What is frustrating about Sony is that they cripple their cameras for no obvious reason, other than perhaps they just don't care about usability, but rather only specs. I find it very frustrating; I came and looked up this review seriously interested in an a, and yet again am disappointed by Sony and am no longer interested.
So, you saved me some money in rental trying out the system Very comprehensive and useful review, except for one critical issue that is almost a deal-breaker for this camera, if the situation is the same as for the a sensor cleaning: the in-built sensor cleaning is close to useless. If you manage to have stubborn dirt on the sensor, which can happen easily when changing lenses in various environments, Sony wants you to send the camera to an authorized service center to have the sensor cleaned.
But what if there are none anywhere near where you need to use the camera? Sony steadfastly and quite rudely, refuses to provide ANY information to customers about what fluid, swabs and procedure should be used for self-cleaning the sensor. This makes me suspect an issue with the sensor coating or the cleaning materials THEY use that they don't want customers to know about. Sad situation, impairs usability and very bad management of customer relations.
How can Sony justify doubling the price of this camera over the A? Not worth it to me! What lens was used on the test scene with the a? Somehow on these reviews, the issue on the test scene is extremely subjective because of the lens.
I dont know if it was the setup, or bad samples, or what.. But this is completely inaccurate! So, what's up with that? All this said, and the reason why I am curious as to what lens was used on this review of the a, is because I gotta say, the a sure has among the best JPG output Ive seen.
Amazing JPG engine! If you click on the [ i ] tab underneath each close-up sample on the test scene, it should tell you which lens was used. The RX1 lens doesn't produce a very field of focus, especially at relatively close working distances so it looks worse shooting a flat target than it would for more distant subjects arranged at different depths. There's not much we can do about this, other than mention in in the review text.
Richard, thanks a lot for the explanation on the RX1 and also about the [ i ] tab underneath each test scene's close-up sample about the lens was used. I didn't know about it! That's okay, have you noticed that just about any set of color thatches, regardless of the body look pretty much identical, even across different brands of cameras?
This is an update on my experience with the A My wife performs. So I video and take pictures each year. This year, first time, I took a lot of photos with my new A and Zeiss F4 lens. My settings were Continuous center spot autofocus and multi frame set at medium speed. Shot pix in 40 minutes I have more beautiful shots of not only my wife but others in her whole group Hours to sort through them.
I set my camera two clicks toward blue green from center on the white balance wheel, and the colors of all the ladies muumuus came out beautiful. Posted a couple of images on my album page. Big players have to respect client's opinions. It's an outstanding but complex camera. You have to learn how to use it.
It's not a point and shoot. I had some disappointments too, but I blame myself for those, not the camera. Review your menu settings and try again. Good luck. I'm sure this has been commented on Nikon, Canon, Fujifilm does not offer stabilization in this class. If no competitor has it, or offer better, it is by default class-leading. It may not be the best stabilization system over all, but as far as I know it is class-leading.
UWA and Primes with stabilization isn't all that common, so I would say it has quite and advantage there. The class leading stabilization in the A's range definitely comes from Olympus for mid to high-end enthusiast-level mirrorless cameras. However, for pure stabilization purposes, nobody beats Olympus in this or any other class of camera. About Gamma Display Assist, can this function be used when playing back?
Can it be used with still pictures? I have used Sony Mirrorless since the Nex 5n and Nex 7. The A is a solid step forward. The Nex 7 was wonderful and with the A still takes images of substantially equal quality to the A in most conditions. But the A, having IBIS, much improved focus functions, and updated sensor does the job a little better and more consistently.
I have used it with the Zeiss f1. The A mount dt f3. Even with my unsteady hands, the IBIS makes the unstabilized primes and zooms work consistently well. I like the touchscreen focus. But you can't see the screen well enough to use it in sunlight.
Compared to ff, this camera gives up very little Iq. But greater depth of field and smallness of camera-plus-lens size are a definite plus.
I have been struggling with the A until the zoom lense totally fell apart. It wasn't the camera, it was the Zony Zoom that gave me the hard time. It ceased to function totally. Now it shoud be fixed. Once I put primes on the camera, it performed very well. I have the 12mm rokinon, the 20mm pancake, the35 and the 55 mm Sony lenses. My original bad experiences were because of a faulty zoom lens.
Now I have learned finally to use the various focusing and wxposure modes and it really does about the same as my 5D3. Almost is an important word here. I have learned to get the colors right, now I have the focusing, I figured out the PP work flow.
I could now actually take this camera to any mission where long teles are not needed. The 55mm is a jewel as is the rokinon Canon EF 85L looks very good on the Sony if you focus it correctly.
The metabones adapter I will not say a bad word, but. I think you have the 'shutter' release part wrong. Only focus selection is possible. You still need to press the shutter button to get a shutter release.
Not really. You can use the touch screen for more than that. You can even use it to type in passwords. Make sure your install the latest software update, Ver 1. I got the a looking forward to upgrade to a anytime. But when it comes to video-stabilisation it seems the still can't compete with Olympus. And the image quality isn't really bad either This mayor may not be an unfair comparison.
The Sony was noted for having many factory defect samples. The same lenses can also be adapted to M But usually there is no need because M43 has such a huuuge range of native lenses to choose from. This sums up my experience with sports and Sony A series cameras, actually most mirrorless cameras and sports.
Maybe instead of more points Sony will focus on getting the right point in focus. Chris Niccolls did a funny short video trying to shoot HS sports.
Can't understand DPreview Scoring Bars. But when you compare Video stills with DP Comparison Tool you can clearly see that the clear winner in video is A Can't trust this measure. Please fix it!
Just curious. The Olympus costs more, thus you need gold to buy it whereas silver will do for the cheaper Sony ;. I'd phrase it differently What gives?? DPR explained it many times before. The score is the total of several mini scores in different categories. The award itself is what the reviewer s personally thought the camera brought anything worthwhile versus other competing models. The written review of A is already self explanatory on why DPR didn't give it the gold award hint: overheating, typical Sony quirks and if course released too soon after the A The a is a great little camera.
I will take it on my next vacation. The video is wonderfulten times better than any of my other professional camera. It needs a pro quality E-mount f2. Because of the size, putting a sharp but heavy G lenses takes a lot away from this nice little camera.
It's blue tooth and Wi-Fy or not compatible with Apple products! This was a big disappointment. I was really surprised the first time I tried to send a photo form it to my iPhone to Facebook. I Had to take the photo over with my iPhone to publish a "right now" photo! Trying to find things in the menu is confusing compared to Canon and Nikon.
The controls are just not intuitive. In spite of all my negative comments, this is a wonderful little camera that take great photos that you don't need to hire a Sherpa to carry! I've been searching for a replacement to my 8 yr old 5DII and this feature is one I've been missing. But I wasn't aware of the iPhone limitation. Can someone confirm this please? I used a with ipad Air and iphone 6, perfectly fine and fairly easy to use as compare to others.
I also use my mobile phone as remote trigger. It is compatible with most of Apple products with latest OS. Users need to download the playmemory app to operate through mobile phone or tablet. I'm pretty sure it would be the same wifi system as the a, and if so, it works with Apple devices. You just have to download the Sony PlayMemories app.
This is not given enough attention I bought one of these as my A65 was just too much to travel with. So far the quality has been outstanding. I used to be a cannon guy but sony is just so innovative.
I enjoy taking surf photography but find the slow zoom focus means often missing the shot, and the Elmar F4 shakes a bit too much. Is there a better option than the ? For old lenses Sony A is an excellent choice as it has a camera stabilization.
I've used mirrorless for over 2 years now Sony A and now A With a big exhale I say this. If you're unwilling to try out the easy one hand operation, 16 plus focusing features, in RAW buffer, and just about any lens you want just stick to DSLR. How come you're not willing to learn a new system? I agree with you on the camera part, always like Sony since the NEX era but "just about any lens you want"?
You mean adapter and manual focus? Ready to learn a new system. Problem is Sony is a bit late to the game. The majority of long term camera people are highly invested in lenses with Canon or Nikon mounts. The existing adapters, however, from Metabones, Sigma, and others, seem to all have limitations and drawbacks. Too bad, too. I got my and my screen doesn't dim at all when in I'm recording just throwing it out there. I think they fixed that problem. This camera is amazing.
Never did I experience a real life impact from that, so I suppose it could occur. I'd prefer non-lossy raw on principle, but the reality is that it hardly matters in the vast majority of images.
Lossy raw, bad touch screen implementation and not very good colors OOC - that is insane for such an expensive camera. The only people who don't get good color from the Sony Mirrorless cameras are people who don't know how to use the amazing color balance features. I have no concern about 4k video.
However, this camera's in-body stabilization that works with or without in-lens stabilization, is why I cancelled my pre order for the Canon M5. The most reliable adapter I've used so far is the sigma mc It's also quite cheap.
Reliable enough for me to use it for a job. I used it without problems for 85mm 1. Brechtlam, that is encouraging. I've read another post where the IBIS in the does not work with the Sigma adapter and IS lenses, although it works with at least some non-stabilized lenses, and of course those are the ones that we're interested in getting stabilized by the body.
I'd really like to see a thorough test of lenses with the Sigma adapter, as well as the Metabones unit, on the I've used all mentioned brands except for tokina and they were all acquiring focus fast and reliable.
Maybe the canon primes have been a bit faster but as my Sigma and Tamron lenses are zooms it might be justified by their complex lens design compared to primes. I didn't use eye-af or alikes instead I simply used the cameras central af area so I don't know if it's true that eye-af is only supported by Sigma lenses.
In general as I mentioned above, I was surprised by the speed of focus acquisition, surpassing that of my native Canon 5D mk II To help with this, the rear screen automatically dims when you shoot 4K footage, making it very difficult to shoot with, in bright light. And while the Panasonics shoot lovely 4K video, the a uses a larger sensor and can shoot in more extreme lighting while keeping noise levels low.
But let's just mention it when it is not the best but only compare that brand, true to style, when it fares less well than the Sony Also: in more extreme lighting of the other kind bright you are getting into serious troubles if that is in warm weather.
Overheating and nothing to see on the screen with Sony. I wonder how Panasonic manages to do 4K without overheating. I suppose a smaller sensor size helps, but it must be more than that. Has to do with the processing chip and using H. Panasonics use a 4k crop on their sensor for 4k video so there is significantly less data processing required.
I believe Samsung's H. Also, keep in mind that the NX1 downsamples the full sensor, similar to the Sonys, without any heating issues so it's most due to more efficient processors and the larger body helping with cooling too. The NX only records 4k with a crop, although no one knows if that's a technical limitation due to heating or product differentiation.
The A77 II has a higher resolution LCD, a top facing LCD, twice the flash coverage, better continuous burst, faster shutter speed, a flash sync port, and much longer battery life. I don't own either but what is the attraction of the A over the A77 II? It seems like mirrorless is all the hype these days but SLT is what is far more interesting to me for actual photography instruments from Sony. I agree. I own a Nex-3, Nex-5r and an A77ii. There is a reason I chose the A77ii 90 percent of the time.
Besides that, it is better suited for shooting video. I have to agree that the A77II offers many advantages ergonomically. But that is the downside of having to cater two mounts I guess. I like the smallest kit in some situations. Including a DE. I travel every week for work. I can afford to buy practically any camera I wish, but for my purposes, there's no reason to look beyond Sony for mirrorless at this point. Sensor size and related performance trumps just about all. I really don't care about touchscreen yet.
Maybe I will. The NEX-7 had an older 24 mp sensor borrowed from the A Oh the pathetic little enduring trolls love to bash Sony. Or those that have a Sony can't imagine anything produced in the last three years tops their current camera. Sad really. Response to Sony's dimming the LCD to an unusable level during 4k video?
Insult anyone who mentions it. Shooting 4K video is my main interest. I have a work-around and it is to purchase a Lumix G85 Gold Award plus I get the benefit of no overheating problems plus many other more advanced features, plus I save significant money.
For me the Sony a is a disappointment which reflects Sony's long term strategic non-commitment to this market segment. I must add my Sony a still does a great job doing what it was designed to do.
Mike, here's his G85 vs XT-2 comparison video. Isolating a subject against a background is a common problem in photography. The subject can be an animal, a plant, a person and the background the sky, grass, a forest, a wall etc. The problem is a complex one for noise reduction software because the algorithm usually "ignores" the difference between the subject and the background.
This means that removing noise in the background will cause a loss of detail, contrast and color in the subject. I chose this image, with the agreement of its author Andy Astbury, because not only is it excellent the animal stands out very well against a gray background but it is also slightly noisy. Removing the noise using only the Noise Reduction tool in the Detail tab will inevitably lead to a loss of detail and a reduction in contrast and saturation in the mouse.
PP3 file [7] The pp3 file is provided as a guide to the tools and possible settings that can be used in cases like this. They are not necessarily the "right" settings. Traditionally noise is removed in Rawtherapee using the Noise Reduction module Detail tab.
If we try to remove the luminance and chrominance noise in the background we end up with settings not shown in the screenshot in the order of:.
Certainly the background will be perfect, but our little harvest mouse will become dull and washed out. So how can we go about denoising this image?
Note that this document is for didactic purposes and the settings are designed to clearly demonstrate the different steps rather than to produce a beautiful image. The image below only shows the tone equalizer settings and not the luminance and chrominance denoise settings that were made in the Noise Reduction module Detail tab. Lockable Color Pickers have been placed on the eye, the fur, the vegetation, and the tail.
Familiarize yourself with each of the 5 tools mentioned above, one by one. This mask will be used to differentiate the denoise between the background and the rest of the image i. Comparison of Denoise tools Comparison of the 3 Rawtherapee noise reduction tools. Thanks once again to Andy Astbury for this excellent image, which allows us to demonstrate 5 ways of differentiating noise reduction between uniform areas and areas with detail. In a difficult image it will probably be necessary to activate all 5 methods to try and find the right balance.
The result is a matter of individual taste and is quite subjective. Each RT-spot can be thought of as a layer and the "Merge file" function allows you to merge up to 2 RT-spots with the original image. As an example we will use these features to create a variable blur of course this isn't the only application. The area between the dark and light areas can be adjusted with the "Recovery based on luminance mask" slider.
File pp3; [12]. Note the use of Blur Mask with "Contrast threshold" and Radius. When you use the LC h curve to create a mask, the image of the mask can sometimes be covered with black and white dots salt and pepper noise that prevent the mask from functioning correctly.
The image used in the above example does not demonstrate this effect very well because it is not very noisy, so I have chosen a different image with significant chromatic noise. Adjust the slider until you get the desired effect.
For example, if you use the C curve to create a mask, artifacts clumps of grayish spots may appear when the mask is merged with the original image. It is likely that this is also due to chromatic noise, in which case you can use the above procedure to correct the problem. This mask does not work in exactly the same way the other Local Adjustments masks. You can use it to change the appearance of an image e. Of course, you can create as many Common Color Masks as you want.
Simply duplicate the mask and place it close to the previous one and use similar settings. Note that the effect of the combined LC H curve can be visualised by referring to the spatial representation of the Lch coordinates i. The portrait of Mairi gives us the opportunity to use several local-adjustment tools. We are going to:. The corresponding. The borders are added inside the existing image area, unlike other programs, which usually increase the image size by adding the border outside the image area.
You can customize the border presets by changing the width vertical or horizontal borders or the color. You can also use "partial paste" to apply any modifications to the presets to other images. Please note that the following explanations may be controversial, especially for JzCzHz and part of Cam16 because:. It has very marked shadows and strong sunlit backlighting.
Use the default RawTherapee settings and position the lockable color pickers as shown so that you can see the changes when processing. Raw file Pixls. For this example, and for comparison with Lift the shadows , the following arbitrary settings are used:. Position an Rt-spot on the face and set 2 "Lockable color pickers" as shown.
For a brief explanation of this module, see the following: Jzazbz - a new experimental CAM? The main difference is the way luminance is evaluated. In Log Encoding, the module works in RGB mode and can produce hue shifts if the evaluation is not perfect.
The only color variations are those that have been introduced in the conversion matrices by the researchers. The evaluations carried out on Jz give very good results, similar to Cam16, and do not introduce hue shifts.
As previously mentioned, fitting an HDR image in this case With "Log encoding Jz" or Sigmoid Jz the hue will be preserved, but the settings for the luminance distribution between the deepest shadows, the highlights and the midtones will depend on the user and the choices he makes.
It is obvious that the responses and therefore the settings are dependent on the image, the monitor, and the 6 settings seen previously. High dynamic range images are one of the recurring problems in image processing. The use of Log Encoding can sometimes lead to unexpected results. If the image contains highlights that were overexposed during shooting, then they need to be recovered or reconstructed.
However, if this is the case, the Log Encoding module will "overwrite" the reconstructed highlights, resulting in unpleasant effects e. We will use 2 methods to overcome this problem and preserve the highlights. PP3 File [26]. Log Encoding will automatically adjust the image and in particular the foreground, but the colors in the previously "reconstructed" highlights in the background will be desaturated and the brightness will be reduced.
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